By Ray Siemens, Susan Schreibman
This Companion deals an intensive exam of the way new applied sciences are altering the character of literary experiences, from scholarly enhancing and literary feedback, to interactive fiction and immersive environments.
- A entire evaluate exploring the applying of computing in literary stories
- Includes the seminal writings from the sector
- Focuses on equipment and views, new genres, formatting concerns, and most sensible practices for electronic upkeep
- Explores the hot genres of hypertext literature, installations, gaming, and internet blogs
- The Appendix serves as an annotated bibliography
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Extra resources for A Companion to Digital Literary Studies
New York: Routledge, pp. 3–36. —— , and T. ) (2006). New Media Old Media: A History and Theory Reader. New York: Routledge. Cixous, H. (1998). ‘‘The Laugh of the Medusa’’ (K. Cohen and P. ). In D. H. ). The Critical Tradition: Classic Texts and Contemporary Trends, 2nd edn. Boston: Bedford, pp. 1454–66 (Original work published 1975). Clanchy, M. T. (1993). From Memory to Written Record, England 1066–1307, 2nd edn. Oxford: Blackwell. Coh-Metrix Project. Home Page. Department of Psychology, University of Memphis.
And so it is with written words; you might think they spoke as if they had intelligence, but if you question them, wishing to know about their sayings, they always say only one and the same thing. (Plato, Phaedrus 275d) Introduction This chapter suggests directions in which an ePhilology may evolve. Philology here implies that language and literature are the objects of study but assumes that language and literature must draw upon the full cultural context and thus sees in philological analysis a starting point for the scientia totius antiquitatis – the systematic study of all ancient culture.
New York: Palgrave. McLuhan, M. (1994). ’’ In M. McLuhan, Understanding Media: The Extensions of Man. Cambridge, MA: MIT Press, pp. 7–21. —— , and Q. Fiore (1967). The Medium is the Massage. Rpt. New York: Touchstone, 1989. Mitchell, W. J. T. (1986). Iconology: Image, Text, Ideology. Chicago: University of Chicago Press. —— (2002). ’’ In N. ). The Visual Culture Reader, 2nd edn. London: Routledge, pp. 86–101. Nakamura, L. (2002). Cybertypes: Race, Ethnicity, and Identity on the Internet. New York: Routledge.
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